Les Afriques dans le Monde

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Dès le tout début des années 1980, les auteurs posaient le problème du politique par le bas en Afrique. Ils soulignaient le rôle des "petits", des "sans importance", des "en bas du bas" dans l'invention de formes originales de l'État... Dans cette nouvelle édition 2008, une préface inédite montre en quoi cette approche demeure utile pour comprendre le monde contemporain en dehors des facilités de pensée.

My purpose in this paper is to recount the history of the Parents' Music Resource Center, an American organisation founded in 1985 whose main concern has been to denounce the obscenity and violence of rock music on the grounds that it is partly responsible for the numerous ills that plague the United States. The PMRC claimed that it only wished to inform the public but my suggestion here is that the actions of the organisation resulted in a de facto censorship of popular music. I shall accordingly describe the various steps of the process that led from information to censorship as well as probe the deeper reasons that may have motivated the action of the Center.

Abstract Since 1991 and the arrival of the Ethiopian People's Revolutionary Democratic Front (EPRDF) into power, the Ethiopian ideologists have maintained revolutionary democracy (abyotawi democracy in Amharic) as their core doctrine. The notion inherited from the struggle (1970s–1980s) aims at legitimizing a political and economic structure which de facto implies the resilience of authoritarianism. Abyotawi democracy has been presented by EPRDF as the exact opposite of liberalism and neoliberalism. As no article dedicated to a review and engagement with EPRDF's abyotawi democracy has been written so far, this article aims at analysing this Ethiopian version of revolutionary democracy. The evolution and uses of the notion since 1991 reveal a “bricolage” that abyotawi democracy has been operating out of Leninism, Marxism, Maoism, and also liberalism. While a review of party pamphlets and official party/state discourses reveals the degree to which revolutionary democracy has become an ambiguous doctrine vis-à-vis “liberalism”, the doctrine remains powerful as a fighting tool to exclude internal and external “enemies”.

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This book visits vulnerability in contemporary British fiction, considering vulnerability in its relation to poetics, politics, ethics, and trauma. Vulnerability and risk have become central issues in contemporary culture, and artistic productions have increasingly made it their responsibility to evoke various types of vulnerabilities, from individual fragilities to economic and political forms of precariousness and dispossession. Informed by trauma studies and the ethics of literature, this book addresses such issues by focusing on the literary evocations of vulnerability and analyzing various aspects of vulnerable form as represented and performed in British narratives, from contemporary classics by Peter Ackroyd, Pat Barker, Anne Enright, Ian McEwan, and Jeanette Winterson, to less canonical texts by Nina Allan, Jon McGregor, and N. Royle. Chapters on romance, elegy, the ghost story, and the state-of-the-nation novel draw on a variety of theoretical approaches from the fields of trauma studies, affect theory, the ethics of alterity, the ethics of care, and the ethics of vulnerability, among others. Showcasing how the contemporary novel is the privileged site of the expression and performance of vulnerability and vulnerable form, the volume broaches a poetics of vulnerability based on categories such as testimony, loss, unknowing, temporal disarray, and performance. On top of providing a book-length evocation of contemporary fictions of vulnerability and vulnerable form, this volume contributes significantly to considerations of the importance of Trauma Studies to Contemporary Literature.

It is often considered probable that the recent rise of vigilante groups in Nigeria means an erosion of the state monopoly of legitimate violence as well as a marked decline in state sovereignty over the national territory. However, this conclusion does not take into consideration the fact that in Nigeria ‘vigilante’ is a term initially proposed by the police in the mid-1980s as a substitute for an older practice known in the western part of the country since the colonial period as the ‘hunter guard’ or ‘night guard’ system. Hence, instead of looking at vigilante groups as a response to a supposed increase in crime or a supposed decline of the police force, we should consider them – initially at least – as a first attempt to introduce forms of community policing in order to improve the appalling image of the police. As such, in south-western Nigeria ‘vigilante’ is a new name for an old practice of policing that should be considered in an extended timeframe (from the 1930s onward), a period in which violent crime has been perceived as a potential danger. Finally, within the ongoing debate on the ‘privatization of the state’ in Africa, non-state policing in Nigeria testifies to a continuum existing since the colonial period rather than to the appearance of new phenomena in the 1980s or the 1990s.

Dans cet article introductif, Jean-Michel Adam s''interroge sur l''opération de classification en général et sur celle des articles de presse par les manuels de journalisme en particulier. Il distingue soigneusement les genres de la presse écrite des autres unités rédactionnelles : les unités péritextuelles, d''une part, les familles événementielles et rubriques, d''autre part. Il dessine ainsi le cadre général d''une description des genres de la presse écrite.

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The creation of the Common European Framework of Reference for Languages (CEFR) has given rise to interest and debate among policy makers, testers, teachers and researchers alike in the reliability and feasibility of the assessment of second language (L2) proficiency. This volume brings together concrete ideas on identifying and measuring L2 proficiency from different branches of SLA research (psycholinguistic, sociolinguistic, corpus-based, applied linguistics) to contribute to a deeper understanding of what it means to be proficient in an L2. The chapters introduce a wide range of tools that are innovative, reliable, and easy-to-use for the evaluation of learners’ language level with respect to both productive and receptive skills and provide a variety of answers to the question of how to assess L2 proficiency in a valid, reliable and practical manner. The collection will therefore inspire language teachers, teacher trainers and language testing specialists and help them adapt their assessment practices when necessary, and will also be a valuable resource for postgraduate students and researchers

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OBJECTIVES: The aim of this study was to assess antibiotic resistance rates and mechanisms of beta-lactam and aminoglycoside resistance among isolates of Pseudomonas aeruginosa isolated in the extra-hospital setting (community and private healthcare centres). PATIENTS AND METHODS: During a 4 month period, 226 non-repetitive strains of P. aeruginosa were collected from patients residing in private healthcare centres (73.5%) or at home (26.5%). Resistance rates were evaluated by MIC determination, and beta-lactam and aminoglycoside resistance was analysed by phenotypic tests, PCR amplification, cloning and sequencing. RESULTS: Among the ticarcillin-resistant strains (38.1%), 33.7% overexpressed their chromosomal cephalosporinase, 27.9% produced acquired penicillinases (21 PSE-1, 2 OXA-21 and 1 TEM-2), 4.7% produced extended-spectrum beta-lactamases (ESBLs) (3 TEM-21 and 1 SHV-2a) and 45.3% possessed a non-enzymatic resistance (NER). Thus, 88.4% had a single mechanism of resistance, whereas 11.6% cumulated several mechanisms. No carbapenemases were detected among the 6.6% imipenem-resistant strains. With regard to aminoglycosides, 23.0% of the strains exhibited an acquired resistance to gentamicin (GEN), tobramycin (TOB), amikacin (AMK) or netilmicin (NET). Enzymatic resistance was more frequent (71.2%) than NER (34.6%). Various aminoglycoside modifying enzymes were associated with overlapping phenotypes: 36.5% strains produced AAC(6')-I with either a serine (GEN-TOB-NET) or a leucine (TOB-NET-AMK) at position 119, or both variants (GEN-TOB-NET-AMK); 21.2% expressed ANT(2'')-I (GEN-TOB), 7.7% AAC(3)-II (GEN-TOB-NET), 5.8% AAC(3)-I (GEN) and 1.9% AAC(6')-II (GEN-TOB-NET-AMK) or AACA7 (TOB-NET-AMK). CONCLUSIONS: Antibiotic resistance rates in P. aeruginosa were globally similar in general practice as in French hospitals. This first analysis of resistance mechanisms showed an unexpectedly high frequency of ESBLs and an unusual distribution of aminoglycoside modifying enzymes.

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<ns7:p>For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an ìidentityî which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social --in this case pseudo-racial --identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and 'racial'categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.</ns7:p>

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Analyzing the Nigerian video industry through the lens of new media theory, this article proposes a genealogy of the Nollywood media format to identify and define its specificities. The films that the industry produces are often referred to as cinema but, compared to the output of other film industries around the world, Nollywood produces something that can be located in between cinema and television. The informality of Nigerian videos’ production and distribution has in fact allowed for the articulation of complex processes of remediation, which have participated in creating an original product, something that I would like to call “small screen cinema.” This media format has had a determinant role in Nollywood’s popular success and its definition is thus important for a general understanding of the industry’s social, economic, and cultural relevance.

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