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從《深河》的故事形塑看遠藤周作的宗教多元觀
吳萌華
1 Jan 2013
NobleIDark:/48914/w1/20260521/C603CB76DOI10.6840/cycu.2013.00232
從《深河》的故事形塑看遠藤周作的宗教多元觀
吳萌華 · 2013 · Subscription
NobleIDark:/48914/w1/20260521/C603CB76DOI10.6840/cycu.2013.00232
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Abstract
Abstract Shusaku Endo in Japanese literature, in addition to the third generation of postwar newcomers among the writers of the key positions is with continuity, but also a authors status as a pioneer of modern Japanese literature. Number of unit lifetime masterpiece topics is closely linked with the Catholic Church. Although a authors status creation, the core is still based on the works of Endo people as the center. His work in shaping characters and stories are often while both religious consciousness and literary readability. Deep River as his last one and religion-related work, the contents of which are discussed in the works not only as the last review and reflection on religious thought, but also increase the times on Christianity and other world religions relationship between the issues. Which from the point of view of religious pluralism inherent discuss religion out of the institutional framework, and thus made retroactive nature of religion pantheism between monotheism and not absolute opposites concept is its creation and religious thought in the biggest change. In the Deep River, the story of the characters in the story by Endo experience and interaction with the plot forward, trying to sin and evil, love, redemption of such previous works have explored the of re-thinking, while trying to believe in monotheism itself with Eastern countries with mainstream Baha'i ideas and make new interpretations. This article will be among the characters for theme History and stories arrangements as a starting point, supplemented by John. Hick's religious pluralism of ideas, for Endo shift in the religious ideology to do a preliminary exploration. Keyword: Shusaku Endo、John Hick、Deep River、Religious Pluralism、Love