Research indexJournal article
بازیابی لایه های هویتی در هنر دوره قاجار (مطالعه موردی روی کاشی های دوره قاجار)
شیرازی, موسویلر
SHILAP Revista de lepidopterología21 Mar 2017Open access
NobleIDark:/48914/w1/20260515/AA08A736DOI10.22070/negareh.2017.483
بازیابی لایه های هویتی در هنر دوره قاجار (مطالعه موردی روی کاشی های دوره قاجار)
شیرازی, موسویلر · SHILAP Revista de lepidopterología · 2017
NobleIDark:/48914/w1/20260515/AA08A736DOI10.22070/negareh.2017.483
Abstract
The Concept of Identity in all cultures and countries depends on religion, ideology, political and social relations and history. The identity in Artwork has different layers and each layer depends on different aspects.so in artworks we can study this identity in different manner and each artwork might have several layers that one of them is stronger and obvious and the others are hidden. But all these identity hidden layers will influence on the artworks obvious identity layer. Art in Qajar Era is one of the effective art periods in Iran according to social and political matters and Archaism and also widespread relations with the west has different aspects so we can find several identity layers in this Era and its artworks. The questions are: - What are identity layers in Qajar Era art? - Which identity layers appeared more than other layers in Qajar ceramics? The results show that there are four identity layers: ancient Iran, Persian Islamic, Imitation of the West and Islamic manner in Qajar Era and in each type of artworks,some layers have more importance. The research method is descriptive-analytical, based on library sources. Statistical population includes 10 examples of ceramics in Qajar Era using selective procedure.