NOTES
Published • Jun 28, 2005
NobleIDNI4P56W49R04S02
Abstract
Contrary to what’s often been said, Godard’s alienating images-aggressive quick cuts, rapid editing, discontinuities, fractured images-do not so much undermine the words as frame them. Even the dissonance of the squawking sea gulls empowers Shakespeare’s language all the more. Burgess Meredith’s voi...
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