Study samples

(116803), Sahra Talamo; (21600984), Nicole Casaccia; (7813085), Michael P. Richards; (1839529), Lukas Wacker; (17004303), Laura Tassoni; (410107), Adam Nadachowski; (21600987), Anna Kraszewska; (21600990), Magda Kowal; (21600993), Jakub Skłucki; (9608422), Christopher Barrington; (13555180), Monica Kelly; (17780340), Frankie Tait; (487227), Mia Williams; (5029112), Carla Figus; (4817361), Antonino Vazzana; (21600996), Ginevra Di Bernardo; (554871), Matteo Romandini; (20271993), Giovanni Di Domenico; (227062), Stefano Benazzi; (20835342), Cristina Malegori; (9266409), Giorgia Sciutto; (461380), Paolo Oliveri; (406373), Jean-Jacques Hublin; (10644836), Mateja Hajdinjak; (249787), Pontus Skoglund; (471738), Andrea Picin; (21600999), Paweł Valde‑Nowak

doi:10.1371/journal.pone.0324911.t002

Public

Study samples.

Published in Figshare • Jun 25, 2025

Authors:

Sahra Talamo (116803)

,

Nicole Casaccia (21600984)

,

Michael P. Richards (7813085)

Abstract

Beginning with the Early Aurignacian, Homo sapiens demonstrated an enhanced symbolic capacity, expanding artistic expressions from body decoration to portable art and aesthetically refined tools. These artistic endeavors, often intertwined with utilitarian purposes, have sparked debates regarding th...

Subject

Chronology

Mammoth

Upper Paleolithic

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