This article analyzes the use of exhibits from the Bukhara Museum’s collection in feature films and the portrayal of historical reality on screen. The main focus will be on the significance of the unique artifacts of the Bukhara Museum - the Emir’s collection, ethnographic items, weapons, and decorative items in the film production. In particular, based on archival documents and scientific research, information is provided on the use of the collections of the Bukhara Museum in films such as «Nasreddin in Bukhara,» «The Fall of the Emirate,» «The Death of the Black Consul,» «The Prisoner of the If Fortress.» The visual expression of the architecture and cultural heritage of Bukhara through the animation of the exhibits on the screen is also analyzed. Buchkomstaris’s initiative during the filming of the first film is especially emphasized, in which historical monuments such as the Ark, Sitorai Mohi Khossa, and Zindoni, where the museum exposition is located, served as «living scenery.».