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“改崑調合絲竹天道人心”-論唐英之戲劇教化觀與其“經典性”,思維之建構

Published in 中國文哲研究集刊 • Mar 1, 2008
NobleIDNI2P28W23R01S26
Authors:
王璦玲

Abstract

The Kangxi and Qianlong periods are usually regarded as critical in the development of Chinese drama. The competition of Huabu (regional drama) and Yabu (kunqu, kun opera) not only brought prosperity, but also caused a tremendous revolution in the Qing theatrical sphere. For the contemporary audienc...

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