對鄕土小說焦距的微調與校準－論黃春明《放生》與鄭清文《天燈•母親》的後農村書寫

From the perspective of postmodernism, an examination of the narration of the folk novels, The Release (Huang Chun-Ming 1999) and The Lantern and Mother (Tzeng Ching-Wen 2000), shows that these two novels can be categorized as the ”post rural” writing regardless of their insistence on the continuity... View More