电影艺术数字化追求的价值与中国式“大片”的反思
Published in 南方文坛 • Jan 1, 2009
NobleIDNI2P16W79R10S22
Authors:
倪万
Abstract
Production and comprehension have long been viewed as inseparable components of language. The study of vision, by contrast, has centered almost exclusively on comprehension. Here we investigate drawing-the most basic form of visual production. How do we convey concepts in visual form, and how does r...
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