Проблема «инверсионного минора» и ее риманианские корни в интерпретации Венсана д’Энди

The article explores the specific concept of the “inverted minor” suggested by Vincent d’Indy. The reference point for the French musician was the theory of undertones by Hugo Riemann, whom d’Indy esteemed. With that, elaborating ideas of the German theorist, d’Indy extends the principle of symmetry... View More