This article explores the profoundly affective and ambivalent aesthetics of decadence. The analysis focuses on two examples from the early prose of A. H. Tammsaare (1878–1940) and Johannes Semper (1892–1970): “The Fly” (Kärbes, 1917) and “Sacred Weed” (Püha umbrohi, 1918). These works are viewed wit...
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