「被看」的「看」與三種主體位置：魯迅「幻燈片事件」的後（半）殖民解讀

If the ”seeing” and ”been seen” power relation between the West and the East derived from the context of post-colonialism, then, how did the visual experience come into being for the ”been seen” East? This paper, starting with Luxun's narration upon his engagement with Chinese Modern Literature, att... View More